Mickey Mouse Monopoly
Seen by many as a significant part of America’s cultural
identity, Disney has been a part of children’s lives for generations. They are
exposed to the characters and icons since birth—they are essentially raised on
Disney. Accepted as an institution whose morals don’t need to be questioned
because they are so innocent, Disney has unnoticeably shaped children’s
perceptions of the world—not always in happy, charming ways. The film Mickey
Mouse Monopoly uses the cultivation theory and cultural studies perspectives to
analyze the way the Disney industry is affecting children through media
exposure.
Whereas primarily families, religion, and the state once
formed children’s understanding of culture, television and the media now
largely do it. Dominating the medium that is essentially raising today’s
children, Disney is shaping children’s imaginations. They’ve created a clear
environment of images that children grow up in and become accustomed to,
beginning to structure what we recognize and comprehend about the world. Disney
is subtly cultivating children’s impressions of the world through long-term
media exposure.
The way Disney chooses to represent the world has the power
to distort children’s perceptions of things like race, class, and gender.
Mickey Mouse Monopoly analyzes the way gender is represented in Disney movies.
Females are highly sexualized, with big boobs, small waists, and the long,
fluttering eyelashes. They use their seduction and their bodies, rather than
intelligence, to get what they want from people (especially from men). If
Disney represents heroines like this, it teaches them that all that matters is
the way you look. Disney also upholds the idea of women as weak—the female
characters in most Disney movies easily get themselves into trouble, and always
must be saved by the big, strong, heroic man.
A particularly disturbing point brought up in Mickey Mouse
Monopoly was the abusive relationship between Belle and the Beast. I noticed as
a child the horrific and violent behavior of the Beast, but I never realized
how wrong it was for Belle to excuse it and continue to return to him.
Eventually she falls in love with a man, overlooking the abuse and turning him
into a prince with just a little love. It’s wrong for Disney to promote these
ideas. Domestic abuse is a serious problem, and Beauty and the Beast sends the
impression that we should forgive men for abusing their partners, and if we are
only nice to them, they will change.
These critiques of Disney’s representations of females display
the cultural studies perspective. They way Disney represents gender, race, and
culture in our society has a direct correlation to the way children think about
the world. Disney has the power to shape the way children think. Yes, most Disney movies have taught valuable lessons
to children. But Disney needs to use its power for the better and create
positive perceptions of the world for children, rather than the inaccurate and
negative cultural representations we’ve grown up on.
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